Emiko Koike !free! [ PLUS ]

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Here is how it works: Koike begins with enormous sheets of handmade kōzo (mulberry paper). Instead of painting on a flat plane, she cuts the paper into narrow strips. She then meticulously rolls each strip around a thin dowel, creating a miniature tube—or "seed," as she calls it. Each tube is glued at the seam. Only then does she begin the "painting" process. She dips the tips of these paper tubes into pools of sumi ink, mineral pigment, or occasionally acrylic, and presses them onto a raw canvas or wooden panel. emiko koike

Perhaps Koike’s most radical contribution to contemporary literature is her reclamation of the obasan (auntie/older woman) gaze. In visual media, the aging Japanese woman is often rendered invisible or comic. In Koike’s prose, the older woman’s gaze becomes a scalpel. Here's a helpful piece of information about Emiko