In the glittering, often overwhelming galaxy of Bollywood playback singing, certain voices are designed for the gods. They sing of epic love, of tragedy, of cinematic grandeur. And then there was K.K. (Krishnakumar Kunnath)—a voice that didn't feel like it belonged to the gods, but to the boy sitting next to you in a college canteen, the friend nursing a heartbreak, or the dreamer staring out of a train window.
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