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was another prominent figure who helped elevate the genre's popularity. A look at the made about these actresses

| Film (Year) | Director | Core Theme | Review Summary | |-------------|----------|-------------|----------------| | (2018) | Lijo Jose Pellissery | Death, faith, community | “A darkly comic, visually stunning requiem. One of India’s greatest films on mortality.” – Film Companion | | Kumbalangi Nights (2019) | Madhu C. Narayanan | Toxic masculinity, brotherhood | “Tender, real, and beautifully shot. Redefines ‘family drama’.” – The News Minute | | Jallikattu (2019) | Lijo Jose Pellissery | Chaos, mob instinct | “A visceral, 90-minute adrenaline bomb. Raw cinema at its best.” – India Today | | Nayattu (2021) | Martin Prakkat | Police system, survival | “Taut thriller that doubles as sharp political critique. No heroes, only humans.” – Firstpost | | Churuli (2021) | Lijo Jose Pellissery | Language, madness, purgatory | “Baffling, profane, hypnotic. Not for everyone, unforgettable for those who enter.” – Baradwaj Rangan | | Paka (2021) | Nithin Lukose | River, feud, nature | “Slow-burn revenge poem. Feels like a Malabar western.” – The Hindu | | Appan (2022) | Sanal Kumar Sasidharan | Patriarchy, caste, power | “Unflinching and uncomfortable. A single-shot feeling of dread.” – Silverscreen | | Pallotty 90’s Kid (2019) | Jithin Raj | Childhood, friendship | “Gentle, nostalgic, pure. A Malayalam Stand By Me .” – Lensmen Reviews | was another prominent figure who helped elevate the