The suffocating expectations placed on women in Joseon society. Final Thoughts

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The film transplants the classic 18th-century French novel Les Liaisons dangereuses by Pierre Choderlos de Laclos into the rigid, Confucian confines of the late Joseon Dynasty (specifically the late 1700s). This is not a simple costume change. The setting transforms the story’s meaning.

: Focus on the production design. The film is noted for its meticulously furnished locations, beautiful traditional Korean gardens (