(The First Stone), serves as a direct challenge to the audience and the characters alike to examine their own moral standing before condemning others. The film has been part of the LINE UP Shorts
The film presents a provocative dynamic between its two central characters: an estranged mother and son. The plot hints at a deeper, possibly deceptive layer, questioning if they are truly family or if the woman is simply a "naughty nun". Regardless of their true identity, the narrative makes it clear that they are for a single purpose. Production Details Director/Writer: Alberto Fernández Prados. Cast: The film stars Isabel Ampudia and Ventura Rodríguez . Release Date: It premiered in Spain on February 9, 2018 . Language: Spanish. Themes & Classification la primera piedra 2018 short film
¿Qué prefieres que haga a continuación? (The First Stone), serves as a direct challenge
Dialogue snippets from the film reveal a harsh confrontational tone, touching on social stigmas, illegitimacy, and the perceived failures of parental figures. One scene involves a sharp exchange regarding a mother’s past, contrasting the life of a "heroic" single mother with the reality of social judgments. Regardless of their true identity, the narrative makes
: The 2015 version received multiple awards at festivals such as the Almería Western Film Festival and the Open Art Short Film Festival .
The film centers on the ambiguous and unsettling relationship between a woman and a younger man. It presents a dark puzzle: are they an estranged mother and son, or is she a "naughty nun" engaging with a stranger?. Regardless of their true biological connection, the narrative focuses on how both characters use each other for a singular, undisclosed purpose, building a atmosphere of mutual exploitation. Director/Writer: Alberto Fernández Prados. Starring: Isabel Ampudia and Ventura Rodríguez. Release Date: February 2018 (Spain).
Through fragmented flashbacks, the film shows the same tutoring session from two perspectives. Marcos remembers a kind, professional interaction. Lucía remembers a lingering gaze and a hand that stayed too long on her shoulder. Neither is lying. The film argues that trauma rewires memory, but so does defensiveness. This ambiguity is the film’s greatest strength.