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2012 proved that cinema could be provocative without losing its soul. Whether it was the psychological depth of or the visual poetry of

: Drawing on Jacques Rancière, scholars argued that film consists of "sense data". This perspective shifts the focus from what a film (narrative) to what it like as a physical arrangement of images and sounds. Intermediality : The 2012 volume Film in the Post-Media Age kino erotika 2012 better