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Interactive media has its own unique strain of forced link relationships. In role-playing games (RPGs) like Fire Emblem , Mass Effect , or The Witcher , romance is often a mechanical system: give gifts, pick flirt dialogue, and unlock a sex scene before the final boss.

The result was catastrophic. Fans of the book recoiled at the tonal whiplash (shifting from dragon-chasing to elf-dwarf wistfulness). General audiences were confused as to why Legolas, who had no such romantic angst in The Lord of the Rings , was suddenly pining. The relationship felt like a checkbox—an executive's note that said, "We need a romance for the young demographic." It remains a textbook lesson in how not to adapt a property.

This is lazy. Worse, it is sexist to both genders. Men become violent apes who only learn empathy through a woman's love. Women become career automata who only learn joy through a man's spontaneity. The forced romantic link is often a bandage over a character who was never fully developed in the first place.

Romantic storylines that incorporate forced link relationships often rely on the tension and conflict that arises from the characters' initial reluctance to be together. As the characters spend more time together, they begin to develop feelings for each other, often despite their initial reservations.