: This is the official publisher for Jacob de Haan's works.
Composed in 1989, is a musical tribute to the American state of the same name. However, the piece is not a literal geographic tour; rather, it is an atmospheric impression. The composition captures the dual nature of the state’s identity: the pastoral, rolling beauty of the Appalachian countryside and the historical weight of its colonial past, particularly the "Old Dominion" legacy. : This is the official publisher for Jacob de Haan's works
: This section is heralded by ceremonial brass figures. It transitions into a more war-like atmosphere before moving into a finale that expresses liberation and hope . The piece concludes with a shift from minor to major keys, symbolizing optimism for the future. Performance Considerations The composition captures the dual nature of the
Concert Band / Symphonic Wind Orchestra Publisher: De Haske ( now Hal Leonard) Format: Score and Parts The piece concludes with a shift from minor
In the vast repertoire of concert band music, few composers have bridged the gap between technical pedagogy and profound musical expression quite like Jacob de Haan. His work, Virginia , stands as a testament to his ability to create rich, tonal landscapes for ensembles of varying skill levels. For band directors scouring the digital archives for reliable resources, the file name represents more than just a collection of pages—it is the key to unlocking a seminal piece of modern wind literature.
The final section is heralded by ceremonial brass figures that signal the approach of the American Civil War. This movement is war-like and intense, even reprising a theme from the beginning to draw a parallel between the Civil War battles and earlier conflicts between colonists and Native Americans. Themes of Hope and Liberation