Exploring the Collaboration of Deborah Calì and Tinto Brass in "Ultimo metrò"
Furthermore, the labeling of such content as an "exclusive" trivializes the definition of news. It suggests that the private squabbles of reality personalities are of equal import to civic news. The audience, complicit in this dynamic, consumes the "hit" not for information, but for the Schadenfreude—the pleasure derived from the troubles of others. deborah cali l ultimo metro hit exclusive
If you want, I can: